Nr. 77 (2026): TO BE SEEN, HEARD, READ: ARTISTIC PUBLISHING AS CRITICAL ART PRACTICE

• INHALTSVERZEICHNIS

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• EDITORIAL

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Einleitung

• INTRODUCTION // TO BE SEEN, HEARD, READ: ARTISTIC PUBLISHING AS CRITICAL ART PRACTICE

  Kathrin Barutzki, Franziska Rauh

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Artikel

• CORRESPONDING PROPOSITIONS: LYGIA CLARK AND DAVID MEDALLA

  Anne-Grit Becker

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• POSING AS A CATALOGUE, ACTING LIKE AN ARTISTS’ BOOK: KÜNSTLERINNEN INTERNATIONAL 1877–1977

  Marie van Bömmel

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• SHARED UTOPIAS. TOMASZ SCHULZ’S COOP-BOOKS (1979–1988) IN THE CONTEXT OF MAIL ART

  Marie Egger

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• MAIL ART ACTIVITIES AS ARTISTIC TACTICS: EWA PARTUM’S AND RUTH WOLF-REHFELDT’S INFRASTRUCTURES WITHIN THE MAIL ART NETWORK

  Corinna Kühn

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• DOUBLE, INVISIBLE, HAND-MADE, EXPERIMENTAL: BOOKS AND MAGAZINES AS WORKS OF CONCEPTUAL ARTISTS FROM FORMER YUGOSLAVIA

  Sandra Križić Roban

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• “THINKING IS A REVOLUTIONARY ACT”: ARTIST’S PUBLICATIONS BY MARIE ORENSANZ

  Mela Dávila Freire

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• MATERIALIZING ABSENCE, ABSENT MATERIALS: MIRTHA DERMISACHE, ROLAND BARTHES, AND THE POLITICS OF PUBLISHING

  Regine Ehleiter

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• MATERIALITY AND SONORITY IN THE WORK OF GIULIA NICCOLAI AND PATRIZIA VICINELLI

  Francesca Valentini

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Edition

• PRAYER TO ARTEMIS

  Doris Weinberger

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Rezensionen

• BOOKS AND GUTS AT COLOGNE UNIVERSITY: AN ARTISTS’ REVIEW OF THE INSTITUTIONAL LIFE OF THE KATHY ACKER READING ROOM AS EXPERIENCED BY IAN CLEWE & CAMILLE PARKER

  Ian Clewe, Camille Parker

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• BUCHHOLZ, AMREI / FUENTES VEGA, ALICIA / KLOSS-WEBER, JULIA (EDS.) (2025): TURNING THE MIRROR. GENDERED ART HISTORIES OF IBERO-AMERICA AND THE IBERIAN PENINSULA, BERLIN AND BOSTON, DE GRUYTER

  Leonie Schuster

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Informationsteil

• ANSTELLE EINES NACHRUFS. REFLEXIONEN ANLÄSSLICH DES TODES VON PROF. DR. DANIELA HAMMER-TUGENDHAT

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Gesamtausgabe

• TO BE SEEN, HEARD, READ: ARTISTIC PUBLISHING AS CRITICAL ART PRACTICE

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